Dariusz Mazurowski is a Polish electroacoustic music composer, producer and performer born and residing in Gdansk. While the majority of his compositional activity has focused on acousmatic works, he has also composed instrumental music in conjunction with electronics, audio installations and improvised electroacoustic music. His works combine analog instruments with the sonic potential of digital technology and computers, i.e., synthesized sounds with processed microphone recordings (concrete sounds) and samples. He has performed in Europe, North America, South America and Asia. Recent performances include : Audio Art (Krakow 2012 – 2018), MUSICACOUSTICA (Beijing 2012, 2018), Resonance (Krakow 2013), ohrenhoch der Geräuschladen (Berlin 2012, 2014), Echofluxx14 (Prague 2014), LEMESG (Saint Petersburg 2014), Music for No Tape / ERARTA (Saint Petersburg 2014), ICMC / SMC (Athens 2014), Cross-Art 2015 (Saint Petersburg 2015), CIME 2015 (Lisbon), MUSLAB 2015 (Buenos Aires), NYCEMF 2016 (New York), Visiones Sonoras 2016 (Morelia), MUSLAB 2016 (Mexico), NYCEMF 2017 (New York), TIES 2017 (Toronto), CIME 2017 (Moscow), the Brussels Electronic Marathon 2017, Screen&Sound 2017 (Krakow), MUSLAB 2017 (Mexico), Festival de Arte Nuevo 2017 (Chihuahua, Mexico), Vox Electronica 2018 (Lviv), EM-VISIA 2018 (Kyiv), Electroacoustic Spring 2018 (Rethymnon, Crete), NYCEMF 2018 (New York), digitIZMir / 4 (Izmir), IV Accordion Festival (Krakow), Screen&Sound 2018 (Krakow), ICMC / NYCEMF 2019 (New York), Approaches 2019 (Gdansk), Acousmonium / CIME 2019 (Krakow), Electroacústica del mundo: Polonia 2019 (Mexico), NYCEMF 2020 (online), CIME 2020 (online), digitIZMir 6 (online edition), Audio Art 2020 (online), NYCEMF 2021 (online), ICMC 2021 (Santiago, Chile), Musiques Démesurées 2021 (Clermont-Ferrand, France) and others.