Martina began her piano studies in 2002. In 2015 she entered the degree in musical arts at UNA (National University of Arts), where she trained with professor Maria Teresa Criscuolo. There began her interest in contemporary music from working with composition students at the university. She dedicated to the repertoire of the 20th and 21st centuries and participated in the university’s Contemporary Music Ensemble and the Tempus ensemble, also dedicated to contemporary repertoire.

In 2018 she received a scholarship from the Mozarteum Argentino, and in 2019 she received a special mention in the Liszt Competition. She finished her degree in 2019 with the integral execution of the Transcendental Studies of F.Liszt, for which she received the Summa Cum Laude distinction. The same year she participated as a soloist with the Electroacoustic Ensemble of the UNA in the piece Soulèvement by Diego Moreno, winner of the Juan Carlos Paz award from the FNA, recorded and then presented in 2021 in the Hypersounds concert cycle of the MusicDesk Academy in Stuttgart, Germany. In 2020 she entered the Higher Diploma in Contemporary Music at the Manuel de Falla Conservatory in Buenos Aires where she studied with Lucas Urdampilleta. In 2021 she won the first prize in the 7 lagos – Kaio Schommer Preis piano competition and recorded her first album COBRE with solo piano works commissioned from emerging composers on the local scene in Buenos Aires, for which she won the National Arts Fund creation grant. In 2022 she was accepted at the Haute École des Arts du Rhin in Strasbourg, France, where she currently studies with Prof. Wilhem Latchoumia; and she performed for the first time as a soloist with the symphony orchestra of the Haute École des Arts du Rhin (HEAR-Strasbourg) with Mozart’s 23rd piano concerto, conducted by Claude Schnitzler, in the auditorium of the Cité de la Musique et de la Danse, in Strasbourg.

Her main interest is focused on the premiere of new music and the work with composers currently active; and in parallel, the study and dissemination of works from the 20th and 21st centuries, particularly by women composers. 

She has worked with established argentinian composers such as Alex Nante, Santiago Santero and Luis Mucillo; and many composition students at the National University of the Arts in Buenos Aires. She has performed as a soloist and in ensemble and chamber music formations in multiple halls, including the National Music Center, the Beethoven Foundation, the CCK Hall of Honor and National Auditorium, Teatro Colón and the Maison de l’Argentine in Paris; with classical and contemporary repertoire, including many premieres of new music.