My music is strongly influenced by electronic writing, signal processing, micro-editing, and various methods of sound synthesis. Their transposition into the instrumental world represents one of the axes of my work. Within the framework of a mixed piece, this approach allows me to experiment with the fusion between the two mediums, through a common writing method.

I also experiment extensively with the relationship between visuals and sound. The graphic representation of sound allows me to conceive the material of my pieces and to develop it « visually » before fixing it on a score or on a sequencer. Moreover, the structure of each of my pieces is based on the exploration of a sound object, whose new characteristics will be discovered progressively thanks to a « zoom » writing, allowing an evolution in the point of view between the listener and the sound.

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French composer born in 1995, I was part of the 2023/24 promotion of the Cursus IRCAM, after I completed my Master’s and Bachelor's degrees at the CNSMD Lyon with Martin Matalon. I started studying composition at the CRR Toulouse where I integrated both electroacoustic and instrumental composition classes.

I was awarded 1st Prize at Académie de composition Maurice Ravel 2022 with La Tarte (for soprano and ensemble) and 1st Prize at Matan Givol composition contest 2022 with Le Papier Peint Jaune (for 5 musicians).

I also had the opportunity to work with different ensembles, including Ensemble Sillages, Meitar Ensemble, Eco Ensemble, Multilatérale, Kebyart Sax Quartet, Ensemble Orchestral Contemporain, Divertimento Ensemble, Nouvel Ensemble Moderne… And I received commissions from festival Ensemble(s), Radio France, Philharmonie de Paris, festival Ravel, studio éOle...