Matteo Tundo is an Italian composer of acoustic and electroacoustic music. His primary interest in composition is the perception and cognition of the sound event, the neural mechanisms that lead to the signification of sound. His work is focused on the application of neuroesthetics in musical composition. After his first guitar studies, he devoted himself totally to composition and new technologies, studying at the conservatories of Florence, Parma and Lugano and at Accademia Nazionale di Santa Cecilia. He studied, among others, composition with Ivan Fedele, Giorgio Colombo Taccani, Javier Torres Maldonado, Nadir Vassena; electronic music with Marco Ligabue and Michelangelo Lupone. He attended specialization courses with Salvatore Sciarrino, Yan Maresz, Beat Furrer, Franck Bedrossian, Marco Stroppa and others.
His compositions have been played in Italy, Germany, Portugal, France, Spain, Greece, Switzerland, Austria, United States, Iran, Korea, Japan, Australia and he participated as composer in international festivals: MA/IN Festival (2022), REF Resilience Festival (2022), Atemporánea Festival (2022), NYCEMF (2022), Seoul International Computer Music Festival (2021), Mixtur Festival (2021), Impuls Festival (2021), EAR_Electro Acoustic Room (2020), Mise-En Festival (2019), IlSuono Contemporary Music Week (2019), Outhear New Music Week (2019), MUSLAB (2018), OUA- EMF (2017), New Music Day (2017).
His compositions have been awarded or recommended in international competitions. His works are published by Edizioni Sconfinarte and Stradivarius Edizioni.
Since 2020 he has been teaching electronic music in Italian conservatories.