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SOUND/IMAGE 2024 Festival
Timeline
Submission period
Thu Apr 25 at 04AM UTC
End of submission period
Fri Jun 21 at 10:59PM UTC
Results date
Wed Jul 31 at 04PM UTC
SOUND/IMAGE 2024 Festival – Call for Works
Mediated Spaces and Immersion
8 November – 10 November 2024
University of Greenwich
Concerts / Performances / Screenings / Talks / Workshops / Installations
SOUND/IMAGE 2024 will collaboratively question how our chosen sound and image media fabricate, articulate and question our spaces of experience. And how these spaces we enact, provide affective and engaging experiences to immerse audiences.
Spatial multichannel audio situates the listener in immersive soundfields, while films – projected either inside or out of frames – transmit forms and textures onto new surfaces. LIDAR scans and photogrammetry paint 3D models of architectures which enable us to explore unbounded, traversing impossible trajectories. Installations create durational happenings which invite audiences to engage around and through them, while performances render spaces of experience through the articulation of liveness and the fleeting moment.
Through a rich complementary programme of talks, screenings, loudspeaker orchestra concerts and workshops – SOUND/IMAGE 2024 will bring together diverse perspectives to stimulate discussion, debate and reveal new insights upon questions of mediated space and immersion across and between fields, including music, film, architecture, performance and digital arts.
Deadline:
Deadline for submissions is Friday 21 June 2024 at 23:59 UTC+1.
All submissions will be considered by the festival panel. We will aim to provide a response before the end of July 2024.
Details are available at web pages:
https://blogs.gre.ac.uk/sound-image/2024/04/16/sound-image-2024-festival/
Mediated Spaces and Immersion
8 November – 10 November 2024
University of Greenwich
Concerts / Performances / Screenings / Talks / Workshops / Installations
SOUND/IMAGE 2024 will collaboratively question how our chosen sound and image media fabricate, articulate and question our spaces of experience. And how these spaces we enact, provide affective and engaging experiences to immerse audiences.
Spatial multichannel audio situates the listener in immersive soundfields, while films – projected either inside or out of frames – transmit forms and textures onto new surfaces. LIDAR scans and photogrammetry paint 3D models of architectures which enable us to explore unbounded, traversing impossible trajectories. Installations create durational happenings which invite audiences to engage around and through them, while performances render spaces of experience through the articulation of liveness and the fleeting moment.
Through a rich complementary programme of talks, screenings, loudspeaker orchestra concerts and workshops – SOUND/IMAGE 2024 will bring together diverse perspectives to stimulate discussion, debate and reveal new insights upon questions of mediated space and immersion across and between fields, including music, film, architecture, performance and digital arts.
Deadline:
Deadline for submissions is Friday 21 June 2024 at 23:59 UTC+1.
All submissions will be considered by the festival panel. We will aim to provide a response before the end of July 2024.
Details are available at web pages:
https://blogs.gre.ac.uk/sound-image/2024/04/16/sound-image-2024-festival/
