Music with Electronics, Inter-disciplinary Projects, Composition for Ensemble, Collaborative Projects, Music with Voice, Music for Film
Feb. 5, 2014
Music as emergent order is the focus of the artistic practice of Kosmas Giannoutakis. He situates installative, performative and digital agencies as non-hierarchical, decentralized networks which exchange information through the medium of sound. His artistic output includes experimental music forms that identify and catalyze unpredictable and unrepeatable music qualities.
Kosmas’s work have been presented in various international festivals, such as inSonic2015 and next_generation in ZKM Karlsruhe, Junge SIGNALE concert series in Graz, Soundislands Festival/2nd International Symposium on Sound and Interactivity in Singapore, Toronto International Electroacoustic Symposium 2016, New York City Electroacoustic Music Festival, Gaudeamus Muziekweek 2015 and ICMC 2016 in Utrecht, REAL/UNREAL BEAST FEaST 2016 in Birmingham, klingt gut! 2016 Symposium on Sound in Hamburg, 13th Athens Digital Arts Festival, Linux Audio Conference 2017 in Saint-Étienne, xCoAx 2017 in Lisbon, “The Digital Body” International Exhibition in Bucharest.
Born in Thessaloníki Greece, he has studied piano, percussion, composition and computer music at the University of Macedonia, University of Music FRANZ LISZT Weimar and University of Music Freiburg. Currently, he carries on his artistic experiments at the inspiring environment of the Institute of Electronic Music and Acoustics – IEM at the University of Music and Performing Arts Graz.